Monthly Archives: February 2010
Musical resonator mounting structure
AbstractA musical resonator mounting arrangement includes a resonator unit, a support plate, a coupling plate having one end fastened to the support plate and an opposite end connected to an end plate of the resonator unit by a connecting plate, a clamping unit controlled to secure the support plate to a musical instrument, enabling corrugated metal wires of the resonator unit to be retained in contact with the musical instrument, and an adjustment screw fastened to the support plate and the coupling plate at one end and screwed up with an adjustment nut for adjusting the contact pressure between the musical instrument and the corrugated metal wires of the resonator unit.Claims
14: Buying a cell phone – know your rights
If you buy a mobile phone handset and/or contract over the phone, online, or by mail order, you have some rights that you would not otherwise have if you had bought it from a shop. If you have an issue with the company that provides your mobile service, then you have the right to make a complaint to an independent ombudsman or arbitrator. This is a free service, and they could help to resolve any issues you may be having.
for the sliders? I wanted to do
so how did you make the slots for the sliders? I wanted to do this but my dremel doesn’t have a rtangular drill bit My original mixer had sliders and as you suggested Iked up all the holes, so I ended upoating the whole front panel with a thin layer of plastard andutting the slider holes out with a alpel Sorry no photos,it was repled by a Sounraft notebook and the sliders were reled into another projt.Hi,First i would like to say hi to everyone and hope is all well.I have alass nord lead for some time but sie the new era of soft synths started i have not been using it for ages, but now i want to start using it again.At the moment everything is plugged inorrtly and i downloaded a Nord Modular environment for Log 7.I must say they did an amazing job,os even for my Nord most of the bas features work no problem.But i am having a issue wen i starthanging the knobs andhanging the sound.A soon as i move to a difeenthannel on Log and return to Nord midihannel the sound goes bk to his original preset.None of the knob movements were saved.I am not sure what i am doing wrong or what i am not doing.First i think is to do with the Nord modular environment that is not rognizing the midi knobs of my Nord.If any one as a log 7 environment working great for Nord lead i would be mh grateful.Or any help in fixing this problem is also greatly appriated. Many thanks in advae.BrugujuI assume you are writing about the NordModularlass and not about the NordLead, NordLead2(X) or NordLead3. About the NordModular, did you assign anyontrollers to the Knobs? If not, Logan’t rord them. [Manual Page 36]WoutPS If you’re writing about the NM, I’ll ask to transport this Thread to its .
and Equment
index Instruments and Equment » Modular SynthesisPlease support our site. If youlk through and buy from our affiliate partners, we earn a smallommission.Hello DIY Friends,I’m (still) in the press of building my DIY modularonsisting mostly of MFOS andGS modules. I’m building my power supply and I was instrted to use “slow blow fuses.” For the life of me Ian’t find .75amp slow-blows. I did happen to find some .75amp fast ting fuses. Do you all think it’d be OK to use these fast ting fuses or is it a bad idea? Thanks for your time!DavidGo ahead. It won’t be an issue of safety – though you may blow one every now and then…As a rule youan reple slo-blow with fast…but it’s not a good idea the other way around.sdiy.orgrfeng”I want to make these sounds that go wooo-wooo-ah-woo-woo.Herb Deuth to Bob Moog ~1963)Slow blow is a good idea maybe try to seah for 750 mA instead of 0.75 A, whh is the same thing.JanThanks RF and Blue Hell for the adve.. I’ll see if Ian find some 750ma. I hadn’t thought of doing aonversion. Also, thanks for the adve about it “not being a safety issue.” That was my mainoern..Awesome.. Seahing 750ma slow blow did the trk. I guess I should of thought about that earlier. I was reading the required fuse from thehassis of my power soue and hadn’t thought of doing anyonversions.. Thanks again!I did google for 750 mA before I replied, and it didn’t look too bad Anyway, glad you found it.Jan
system from period tohaot
Step s => d;440.0 => float freq;float index;1 => int dirtion;while(samp => now){ 2 * dirtion * freq +=> index; if (Math.fabs(index) > sondsamp) -1 *=> dirtion; index 48000 => s.next; }jukka_kJoined: Sep 17, 2008: 22Lation: FinlandThanks guys of these great adves, and kijjaz ofodes, I will definetely try them ! I’ve studied this system, a logist map, inhK like thisode:Varying parameter ahanges the system from period tohaot, there is some interesting behaviour in this system, espially areas near thehaot patterns. Thanks !-Jukka Step s => LPF f => d; set initial value to xStd.rand2f(0,1) => float x;parameter a, between [3.0,4.0]3.8788 => float a;f.set(10000, 1);while(true) { logist map x*a*(1-x) => x; x => s.next; Math.pow(2, x * 3.5 + 1)::samp => now; } Display from previous: All 1 Day7 Days2 Weeks1 Month3 Months6 Months1 Year Oldest FirstNewest First Youannot new tops in this forumYouannot reply to tops in this forumYouannot edit your in this forumYouannot delete your in this forumYouannot vote in polls in this forumYouannot atth files in this forumYouan download files in this forumPlease support our site. If youlk through and buy from our affiliate partners, we earn a smallommission.
If youlk through and buy
Please support our site. If youlk through and buy from our affiliate partners, we earn a smallommission. The following is a list of over 3600 titles rorded from myolltion of 78 rpm rords. Many of them are linked to MP3 files and will play what was rorded. No sound enhaement, just what was rorded. I hope to eventually have all the titles linked to mus files, though that might take a while. Right now, there are 3,060 titles on this page linked to mp3′s. There is no sin eept stupidity – Oar WildeCJ MillerJoined: Jan 07, 2007: 209Lation: 127.0.0.1Wow… ! This is a hero effort, Seraph! I am not familiar with mh of the mus. If somebody told me that I’d be listening to an approximation of Arab rhumba before bed, I’ve said that they wererazy! Ofourse I then need to ask about a rord whh isn’t there. The only reason why is bause I heard it on the radio years ago and had hoped to find it, but I don’t know who the artist is. Do you happen to know about, I think isalled, “whh swih is the swih to swh?”? It’s about a guy trying to figure out how to use a telephone toall somebody. I heard it one night and thought it was hilarious.Hopefully I’ll get to listen to more of these this weekend. Thank you! “whh swih is the swih to swh” There is no sin eept stupidity – Oar WildeBobTheDogJanitorJoined: Feb 28, 2005: 1893Lation: EnglandAudio files: 17G2 pah files: 15 There is no sin eept stupidity – Oar WildeCJ MillerJoined: Jan 07, 2007: 209Lation: 127.0.0.1
using the steps I
fJoined: D 08, 2007: 88Lation: MexoG2 pah files: 1Well, in thisase, if I press the key and then release it, the note goes off. The problem is that sporadally, the G# note will be triggered without even tohing the keyboard, and it will stay on. tually, to turn it off Ian just press the key and release it.I don’t know if this qualifies as a “stky key”, but it’sertainly a strange and annoying problem. Sometimes I’m playing something and the G# will suddenly sound.This is the G#on the sond tave, whh isn’t near the power transformer. The G# on the third tave is right in front of the transformer but that key is fine I turned Lal Off for a while and the problem seemed to disappear, so I’m 95% sure it’s a mhanal keyboard problem._________________My mus: cdbabyomallf [...]I’m 95% sure it’s a mhanal keyboard problem.fJoined: D 08, 2007: 88Lation: MexoG2 pah files: 1Ok, so here’s what happened:I opened up the synth, took the keyboard off, and removed theiuit boards on the bk of the keyboard. Everything looked fine and prettylean. Still, Ileaned the boards, keys, and rubberontts with a brush, veryarefully.I turned the synth on and after a little while the G# was spontaneously triggered. Then I removed the rubber str and took a look at theontts on theiuit board. They looked fine (e.g., idental to the rest of theontts). I used the rubber band to trigger the note and it worked fine. it seems that there are twoontt pairs for eh key: the bottom one triggers the note and the top one releases it (not 100% sure about this, though). If I press the bottomontts, the note is triggered, and stays on even after releasing theontts. To turn the note off, one must press the upperontts.Now, the G# was sounded spontaneously even after removing the rubber str, so I think the problem is in theiuit board: the bottomontt for the G# key seems to be triggered spontaneously, whhauses the note to sound, andan only be released after pressing and releasing the key (whh efftively presses the upperontt). Bottom line is, I don’t think Ian fix this by myself without the risk of damaging theiuit board, so I’m thinking about repling the whole keyboard. I’d really like my NL3 to be in t topondition.Itould also just live with it (unless it gets worse). The problem is sporad and sometimes quite a few minutes go by without the G# being triggered. It’s a bit annoying but it lets me program new sounds, and when sequeing, Ian just turn Lal Off to avoid any false notes._________________My mus: cdbabyomallf
really feltomfortable rording
In the Studio Proders and Engineers Th Mastering Session PhotosAsk an Expert Publishing and Royalties Promotion John Fry Jody Stephens Joel GradingerArdent Rords Todd Agnew Joy Whitlk SkilletArdent U. Bass of a Home StudioGeneral Big Star Guy Sebastian The Great Debaters Stax Rords Mus Events Miellaneous Ardent Sessions
Electrical musical instrument amplifier having improved tremolo circuit, improved reverberation control, and power reduction circuit for distortion mode operation
AbstractAn electrical musical instrument amplifier is disclosed in which a signal which has been provided by an instrument to a second one of two different preamplifiers for amplification therein is passed to one of the inputs of a summing amplifier together with the output of the first preamplifier, the output of the summing amplifier being coupled through a tube driven power amplifier to a loudspeaker system. The amplified signal from the second preamplifier is applied to a second input of the summing amplifier via a circuit arranged as a voltage divider and having a variable resistance provided by a field effect transistor driven by an oscillator. The modulation provided by the field effect transistor and associated oscillator can be adjusted to provide total phase reversal as well as amplitude modulation when combined with the signal at the output of the second preamplifier, to provide a tremolo or vibrato effect. Improved reverberation control is provided by a control common to the volume controls of both a delayed reverberation signal from the second preamplifier and the combined signal which results when the instrument signal from the second preamplifier is combined with the delayed reverberation signal. The power amplifier can be operated in a distortion mode to achieve desirable harmonics without overloading the voice coils in an attached speaker system through use of a power supply which applies reduced voltages to the power amplifier whenever the gain of the power amplifier is adjusted to a high setting while at the same time regulating the voltage applied to the first and second preamplifiers to keep such voltage constant.ClaimsWhat is claimed is:
Electronic musical instrument capable of reporting operating conditions including sound level and tempo
AbstractAn electronic musical instrument capable of reporting a sound level and a tempo to be set. When a particular sound level or a particular tempo is selected and set, a click having a particular pitch matching the sound level or the tempo is generated to allow the user to recognize the sound level or the tempo on the basis of the pitch of the click. The instrument has a right and a left loudspeaker and, when the sound level is high or the tempo is fast, produces louder sound from one of the loudspeakers while, when the sound level is low or the tempo is slow, producing louder sound from the other loudspeaker.ClaimsWhat is claimed is: